A ballet doesn’t arrive onstage by magic—it’s built, piece by piece, by real people; our choreographers, our dancers, a musicians, and you! This January we commissioned new choreography by @jac_long and an original score, by @katieejenks . Now we need you to help carry it to the mainstage in June at @theconradlajolla You can underwrite: ✧ a dancer contract ✧ the choreographer’s creation time ✧ costumes & pointe shoes ✧ elements of the new music Every gift becomes something you will see and hear
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A ballet doesn’t arrive onstage by magic—it’s built, piece by piece, b…
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That pre-show feeling Did you know that dancers arrive at the theater 3-4 hours before a performance? They use that time to warm-up their bodies, complete hair and make-up, and get into costume. #balletcore #backstage
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That pre-show feeling Did you know that dancers arrive at the theater …
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TikTokcoloradowestballet
Thank you for your support. We’ve sold out Made in Singapore! Only a little over a week left until Made in Singapore arrives. Our dancers are deep in rehearsals, preparing to bring their very best to the stage for our first production of the year. 📍: Singapore Ballet, 201 Victoria Street #07-02/03 Singapore, 188067 📅: 27 Feb | 7pm 28 Feb | 3pm, 7pm 01 Mar | 3pm Kindly arrive 15 minutes before the start of the show to get the best seats! #Ballet #Singapore #sgarts #singaporeballet
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Thank you for your support. We’ve sold out Made in Singapore! Only …
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TikToksingaporeballetofficial
When the turnout on the standing leg isn’t working, everything after the jump starts to unravel. You can elevate beautifully, you can arrive on time, but if the base underneath you is not active and organized, the body has nowhere to go. The line wobbles, the direction disappears, and that dramatic, slightly risky arabesque never really happens. The audience thinks it’s balance. I know it’s the foundation. Build the rotation in the supporting side and suddenly the movement carries forward, the t
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FacebookRunqiao Du Ballet Coaching
Talent opens the door, but repetition is what lets you stay in the room. The things that look “easy” on stage are almost always the result of quiet days in the studio. Doing the same exercise again, fixing the same detail again, showing up even when nothing feels different yet. 💡 Remember: keep repeating with intention. Keep refining instead of rushing. That’s how strength settles into the body and that’s how dancers eventually arrive exactly where they’ve been working toward. | Runqiao Du Ball
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Talent opens the door, but repetition is what lets you stay in the room. …
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FacebookRunqiao Du Ballet Coaching
The double pirouette came home… but stopped by fourth first 😅 which tells us exactly what must happen next. A double pirouette is only finished when the legs close cleanly. Not almost, not near it, closed. We saw the turn arrive in fourth, and yes, we fix it. But we also recognize the courage to go for it, the coordination getting better, and the understanding starting to click. Great job to our students for always trying their best. 👏🏻 | Runqiao Du Ballet Coaching
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The double pirouette came home… but stopped by fourth first 😅 which t…
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FacebookRunqiao Du Ballet Coaching
Where the leg is placed before takeoff will either organize the turn or disturb it. When dancers arrive with precision, the hips settle, the pathway becomes simple, and suddenly multiple rotations feel possible instead of forced. When the preparation wanders, the turn has to fight to survive. In variation coaching, this kind of clarity changes everything. Students stop guessing. Corrections become repeatable. Results come faster because the teacher can identify the exact moment that shapes the o
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Ballet Announces New Performances
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